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COMING SOON

  • Writer: Claudia Cavallin
    Claudia Cavallin
  • Sep 29
  • 2 min read

Updated: 1 day ago

CONFERENCES


First Creative Writing Congress | Hispanic Studies | University of Houston
First Creative Writing Congress | Hispanic Studies | University of Houston

«La existencia entre dos universos de palabras». Primer Congreso de Escritura Creativa en Español a realizarse en la ciudad de Houston, 24 de octubre de 2025.


Margo Glantz
Margo Glantz

XL Congreso Internacional de Literatura y Estudios Hispánicos. «La simbología exocanónica del cuerpo en la obra de Margo Glantz».Panel 1: Simbología y memoria en la narrativa hispanoamericana. Conference Dates: 10/24/25 - 10/25/24. Madrid, 2025.


INTERVIEWS


Javier Guerrero
Javier Guerrero

Javier Guerrero: «Desajustar la programación de género es una necesidad existencial».Trópico Absoluto, Berlín 2025.


Ana Clavel
Ana Clavel

Ana Clavel: «Somos siempre cuerpos que buscan el bienestar y el placer».Entrevista para el Papel Literario del diario El Nacional. Caracas / Madrid, 2026.


REVIEW

Drag Kings
Drag Kings

Nathalie Bouzaglo & Javier Guerrero (eds.) Drag Kings: Arqueología crítica de masculinidades espectaculares en Latinx América. Santiago de Chile: Ediciones Metales Pesados. 2025. 430 páginas. Trópico Absoluto, Berlín 2025.



BOOK CHAPTER


Claudia Cavallin Calanche, Parallel Worlds Connecting Multiple Identities: Transgender Existence in Camila Sosa Villada's Bad Girls. «The Liverpool Handbook of Trans Literature» (co-edited with Douglas Vakoch). Liverpool Press 2025.


Bad Grils  (2022)
Bad Grils (2022)

Bad Girls (2022) by Camila Sosa Villada describes a diverse family construction that restructures the linearity of existence connected with parallel worlds that unite multiple identities: Two genders in the same body; two spaces—the park and the house—as the only route of traveling from reality to Science Fiction, and two ways of using the identity of their bodies, changing from day to night. Following the gender theory of Judith Butler, Virgine Despentes, and Cecilia Gentili, gender discussion is present in this novel as a literary space where categories move by factors such as class, ethnicity, and sexuality. Here, a parallel world is constructed using the resistance of a cultural imposition of gender identities. In this novel, to be trans is to live in several temporal and spatial dimensions, where identity connects through the feelings of a little boy named 'Twinkle Eyes,' who can transgress all borders and spaces.







 
 

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